Dante Busquets talk on Mexican Photography

Dante Busquets talk on Mexican Photography

Dante Busquets, Mexican photographer taking part in ‘Mexican Worlds: 25 Contemporary Photographers‘, will offer a guided tour of the exhibition this Saturday 30 July at 1pm. The tour will contextualise Mexican Photography today.

It will take place at the Sebastian Guinness Gallery – Connaught House, 1 Burlington Road, Dublin 4. Booking is not necessary, but we encourage you to arrive at least 10 minutes before the start of the tour.

About Dante Busquets

Dante attended the San Francisco Art Institute where he studied photography with artists Pirkle Jones, Jack Fulton and Reagan Louie, among others. He obtained the technical degree at the Escuela Activa de Fotografía, in Mexico City, and has also completed workshops with Susan Meiselas, Abbas, Joseph Rodriguez, Cristian Caujolle and Heidi Specker.

Busquets has exhibited individually at the MUCA Roma, House of the First Printing Press of the Americas, and in the Coyoacanense Cultural Center, all in Mexico. He has participated in over twenty-five group shows in Mexico and overseas.
His project Diario DeAntes received the FONCA Young Artists Grant awarded by the Mexican Ministry of Culture. He has participated in several editions of the Mexican Bienal de Fotografía, receiving in 1997 an Honorable Mention for his series about gang life in Zamora, Michoacán, and in 2006 he was honored with the Acquisition Prize of the XII edition for his SATELUCO project, in which he photographs families and urban areas of a well-known suburb of northern Mexico City.

MEXICAN EMBASSY

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Dates: 1pm 30 July

Sebastian Guinness Gallery
at Connaught House, 1 Burlington Road, Dublin 4.

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He recently received the grant Descubrimientos PHE México DF from the festival PhotoEspaña ’09, and the Leica Grant at FotoFest in Houston TX, USA, 2008.

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The Long View, at the Gallery of Photography

The Long View, at the Gallery of Photography

The Long View is a group show of work by a selection of Ireland’s leading contemporary photographic artists. For the first time, it brings together work by artists who have established considerable international reputations and whose photographs are represented in major collections worldwide.

This exhibition explores a particular strand of international practice, showcasing what can be called ‘slow’ or ‘considered’ photography. This has come about in response to the increasingly throwaway nature of photographic images in the digital world. In contrast, the images in The Long View were made as part of a sustained process of engagement over periods of months or even years.

The exhibition addresses questions of landscape and memory, history and social change, in both Irish and more global contexts.

In a series of landscape studies made over a year, David Farrell explores the sensitive subject of the search for those who were ‘disappeared’ by the Republican movement.

Anthony Haughey addresses the spectral presence of ‘ghost estates’ on the contemporary landscape. Through Haughey’s lens, these eerie ‘monuments’ are a testament to the end of Ireland’s gold rush and the resulting cost of unregulated growth.

Info

Opening day: 1 July
Dates: 1 July – 28 August
Opening hours:
Tue to Sat 11-6pm
Sundays 1-6pm

Gallery of Photography
Gallery of Photography, Meeting House Square, Temple Bar, Dublin 2.

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Richard Mosse also explores the visual possibilities of the monumental, in both the subject matter and the sublime scale of his work. Mosse recasts the sculptural form of an aeroplane wreck into a powerful symbol of the failure of modernity.

Jackie Nickerson also works on a very large scale and in a global context, but she focusses on how we inhabit our ordinary, everyday worlds, presenting her own, often ambivalent subjective position. Made over a ten-year period, the work on show explores the interplay between the global and the local in the newly affluent Gulf states.

Paul Seawright recovers visual fragments and texts from the surfaces of the urban landscape of his native Belfast. The work examines the continued play of competing claims to meaning and identity in a post-conflict context.

Donovan Wylie presents two bodies of work which operate on widely different registers. In his cool, objective aerial survey of British Watchtowers along the border, he deftly turns the surveryor into the surveyed; while in Scrapbook, he presents ‘the Troubles’ as an intimate aspect of lived experience, in a radical mixup of the private and the public.

The Long View is curated by Tanya Kiang and Trish Lambe.

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Versions and Diversions Curated by Karen Downey

Versions and Diversions Curated by Karen Downey
This exhibition is initiated by Temple Bar Gallery + Studios and curated by Karen Downey

Maurizio Anzeri (IT)
Ruth Claxton (UK)
Mariana Mauricio (BR)

Versions and Diversions brings together a selection of works by contemporary artists who have all developed an experimental approach to working with found photographs, intervening in the image at surface and compositional levels through a range of processes, from cutting and placing, to stitching and tearing.

The exhibition explores how these contemporary works might be seen as a series of ‘versions’ and ‘diversions’. ‘Version’, in the sense of adaptation; of a composition that has been recast in a new form, and ‘diversion’ as redirection or an instance of turning something aside from its course.

The results are delicately constructed statements, highly subjective and ambiguous, which seduce us into a world turned upside-down.

Navigations Education Series
Exhibition talk with Karen Downey: Thursday 14 July at 5pm

Info

Opening day: 6pm 14 July
Dates: 14 July – 20 August
Opening hours:
Tue to Sat 10am-6pm

Temple Bar Gallery + Studios
5-9 Temple Bar
Dublin 2

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Karen Downey has worked as curator at Belfast Exposed since 2001 developing the archive, exhibition and publishing programmes. Belfast Exposed regularly commissions new work and co-publishes books with international publishers, including Steidl, Hatje Cantz, Black Dog and Photoworks. Exhibited and commissioned artists include Duncan Campbell, Hans-Peter Feldmann, Daniel Jewesbury, Aisling O’Beirn, Factotum, John Duncan, Claudio Hils and Kai-Olaf Hesse. In 2009 she curated Remote Viewing by Susan MacWilliam for Northern Ireland’s presentation at the 53rd Venice Biennale. She holds a BA in Art and Design and an MA in Social Sciences. She is a member of Temple Bar Gallery + Studios Curatorial Panel.

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Out of the Dark Room: The David Kronn Collection

Out of the Dark Room: The David Kronn Collection

This exhibition is drawn from a collection of more than 450 photographs brought together by the Irish born American collector David Kronn. The collection ranges in content from 19th century Daguerreotypes to the 20th century photography of Edward Weston and August Sander and works from award-winning contemporary photographers, such as the husband and wife team of Nicolai Howalt and Trine Sondergaard, and the Japanese photographer Asako Narahashi. It is particularly strong in its representation of Harry Callahan, Kenneth Josephson, Irving Penn and Brett Weston.

IMMA’s exhibition Out of the Dark Room presents a selection of 165 works across all photographic media. It explores themes emerging through the collection like portraits of children, abstracted landscapes and portraits of artists, such as Irving Penn’s Frederick Kiesler and Willem de Kooning, New York, 1960. There are numerous iconic works, examples being Herb Ritts’s image of pop star Madonna from 1986; the portrait of Laurie Anderson by Robert Mapplethorpe from 1987; or Dr Harold Edgerton’s time-lapse photograph of a boy running from 1939.
Dr Kronn is a paediatrician with a specialisation in medical genetics, a fact which underlies the many images of children in the collection – such as Diane Arbus’s Loser at a Diaper Derby, 1967, or Martine Franck’s images of children from Tory Island (1994-97), and Irina Davis’s poignant portraits of children in a Russian state orphanage (2006-2007).

Info

Opening day: 6pm 19 July
Dates: 20 July – 9 October
Opening hours:
Tue to Sat: 10am-5.30pm
Wed 10.30am-5.30pm

Irish Museum of Modern Art
Irish Museum of Modern Art, Royal Hospital, Kilmainham, Dublin 8

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David Kronn has made a promised gift of his collection to IMMA. This will begin with the immediate donation of a portrait of the celebrated French-born artist Louise Bourgeois by Annie Leibovitz, and will continue as an annual bequest of works each year, until his entire collection is housed in IMMA.

The exhibition is curated by Seán Kissane, Head of Exhibitions, IMMA, and is accompanied by a fully-illustrated catalogue published by IMMA that includes texts by Susan Bright, Seán Kissane, David Kronn and Carol Squiers.

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RHA Annual Exhibition 2011

RHA Annual Exhibition 2011

The RHA Annual Exhibition

The RHA Annual Exhibition is Ireland’s longest running and largest open submission exhibition. This year, on its 181st edition, a record 585 artworks will be exhibited, featuring both established and emerging Irish and international artmakers. This year the exhibition will comprise of a broad range of photographic works by RHA members Amelia Stein, Gary Coyle, Eilis O’Connell and Abigail O’Brien.

Invited photographers and artists working in lens-based media in this year’s exhibition are Michael Boran, Anthony Haughey, Tom Jenner, Dragana Jurisic, Mary Kelly, Ciara Killalea, Jeanette Lowe, Fionn McCann, Mary McIntyre, John Minahan, Theresa Nanigan, Christine Redmond, Victor Sloan, and many more.  Each year the Curtin O’Donoghue Photography Award for €5,000 is presented to a photographer of merit. Previous winners of this award are Fergus Martin, Jackie Nickerson and Fred Reilly.  This year an addition award for an emerging photographic artist will be presented.

Info

Dates: 25 May to 30 July
Opening hours:
Mon and Tue 11am-5pm
Wed to Sat 11am-7pm
Sun 2-5pm

Royal Hibernian Academy
Royal Hibernian Academy, 15 Ely Place,
Dublin 2.

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Photographs 1908-1940, by Luis Ramón Marín

Photographs 1908-1940, by Luis Ramón Marín
Luis Ramón Marín, known to the press simply as Marín, was one of the first photographers to get out into the streets to record daily life and the news with his camera, supplying magazines and illustrated dailies which were enjoying a heyday during the first decades of the last century. Moreover, Marín is a pioneer of aerial photography in Spain, an aspect of his work begun in 1913, hardly a decade after the development of aviation itself. Marín was essentially a press photographer (he published more than 1,000 photos per year). He was, amongst his other jobs, press correspondent to the Royal Family, which he followed even during the holidays (thus many of the photographs have an unusual familial air). He recorded the main events of Spanish cultural and political life and portrayed its leading figures.

He also turned his lens onto street scenes and anonymous faces of the common people. According to the exhibition’s curators, Rafael Levenfield and Valentín Vallhonrat, “his work draws the profile of a photographer who lived what he did, independently of who his client was. The variety of the subjects reflects the immense vitality with which he carried out his countless activities. We don’t know if it is the photography and its content which contribute this vitality to his life or vice versa. We think it is his fabulous appetite to live intensely which stamps character on his enormous work. By car, plane or motorbike, Marín was able to photograph the most diverse events one after another.”
Curators: Valentín Vallhonrat and Rafael Levenfeld.

info

Opening: 6pm 7 July
Dates: 7 July – 23 September
Opening hours:
Mon to Thu 2-7pm
Fri 10-2pm
Closed on Saturdays and Bank Holidays

Guided tours:
6pm 19 & 26 July

Instituto Cervantes Dublin
Instituto Cervantes Dublin
Exhibition Room
Lincoln House, Lincoln Place
Dublin 2

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About Luis Ramón Marín

Luis Ramón Marín (1884 – 1944), known to the press simply as Marín, was one of the first photographers to get out into the streets to record daily life and the news with his camera. Moreover, Marín is a pioneer of aerial photography in Spain, an aspect of his work begun in 1913, hardly a decade after the development of aviation itself. Marín was essentially a press photographer (he published more than 1,000 photos per year).

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Mexican Worlds: 25 Contemporary Photographers

Mexican Worlds: 25 Contemporary Photographers
MEXICAN EMBASSY
Mexico has a deep-rooted tradition of photography as a means of expression. The innovating impulse given in the second half of the 20th century by photographers such as Manuel and Lola Álvarez Bravo, Agustín Jiménez, Gabriel Figueroa, Nacho López, and Mariana Yampolsky put Mexican photography on the international map, where it is still very strongly present today.

The ‘Mundos mexicanos: 25 Contemporary Photographers’ exhibition, curated by Alejandro Castellanos, presents a number of the most significant works of recent decades. Roughly half of these belong to the collections of the Centro de la Imagen, which was established in 1994 with the mission of acquiring photographs and promoting photography in Mexico.

Since Mexico’s formation as a country in the beginning of the 19th Century, the necessity to bring cohesion to the people of a diverse and complex territory led their leaders to develop the specific notion of a “Mexican Culture”. Nevertheless, two hundred years after the founding of the nation, there is no one identity of “The Mexican”, but indeed many worlds that live within this idea. With the passing of time these worlds have changed their own perspectives and locations, and include foreign and even imaginary territories. This is the idea that links these works of 25 artists from different generations, and that represents the thematic and stylistic diversity of Mexican contemporary photography.

Info

Opening day: 7pm 30 June
Dates: 1-31 July
Opening hours:
Mon to Sat 10-6pm


Sebastian Guinness Gallery
Connaught House, 1 Burlington Road, Dublin 4.

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The outbreak of the Mexican Revolution, which happened exactly a century ago, completely changed the politics of the country. The post-revolutionary regime that lasted until the end of the 20th Century developed and promoted the idea of “The Mexican”, a unitary mythology based on the integration of two cultures, the pre-Hispanic and the Spanish. A new post-nationalist story emerged near the beginning of the 21th Century, due to the deep transformations that have taken place not only in the areas of politics and the economy, but, above all, in culture. This dynamism motivated artists to develop a vision not anchored in the past, but in the present, a convulsive time charged with energy whose complexity impedes the profiling of future tendencies, even as they inevitably enter into a greater integration with the world.

There are three ways in which Mexican Worlds deals with these questions: the individual, the community, and space; concepts that group these three as a whole as seen in the work of the exhibit’s 25 artists. This exhibit looks to relate and present to the public a series of works characterized by creative autonomy.

The works of nine of the artists in this exhibit are from the collection of the Centro de la Imagen. A public entity founded in 1994, dedicated to research, education and promotion of photography in Mexico, the Centro was created by the artistic and photographic community with the support of the Consejo Nacional para la Cultura y las Artes (National Council for Culture and the Arts), and the Centro Nacional de las Artes (National Center for the Arts).

Individual

Delirium and knowledge, dream and death, irony and premonition, subjectivity and estrangement, all form a web of contrasts of the experience of the individual who looks at himself/herself in the mirror of the photographic image; a resource of affirmation and denial, of search and contradiction. All this is shown in the work of Patricia Aridjis, Cannon Bernáldez, Marianna Dellekamp, Daniela Edburg, Graciela Iturbide, Edgar Rolando Martínez and Fernando Montiel Klint, whose images have renewed, in the Mexican context, the idea of the photographer that openly presents his/her personal imaginarium.

Community

Mexican Photography has a strong established tradition of representation of the culture, habits, and beliefs of the communities that integrate the country. The criticism of social marginalization and the affirmation of the festive richness of popular culture are characteristic aspects of documentary essays produced by Mexican photographers, as is the review of rural isolation with its ancestral traditions, that contrasts with life in the big cities of Mexico and the USA, where the hybridization of culture is a daily fact. The diversity and complexity of the photographs of Lorenzo Armendáriz, Carlos Cazalis, Marco Antonio Cruz, Federico Gama, Maya Goded, Lourdes Grobet, Eniac Martínez, Francisco Mata, Dulce Pinzón and Yvonne Venegas show that the many Mexican worlds are not determined by the territory in which the photographers were born or lived, but by their imagination and their critical position.

Place

From the ominous to the parodic, passing through illusion and its allegories, the images of Yolanda Andrade, Dante Busquets, Livia Corona, Gabriel Figueroa Flores, Pedro Meyer, Gerardo Montiel Klint, Rubén Ortiz Torres and Gerardo Suter, assume a critical relationship with their surroundings; a distancing that allows them to reframe the certainties of the visible, thus representing space and architecture as precincts of memory, metaphors and ironies, through photographs either direct or staged. The relationship between the image, its physical support and its own relation with the site where it is presented is, in itself, one of the clues that characterizes these works; whose authors, in some cases, emphasize the possibilities opened by digital technology in the development of their proposals.

About the photographers

The 25 photographers that take part in this show are: Lorenzo Armendáriz, Carlos Cazalis, Livia Corona, Marco Antonio Cruz, Federico Gama, Maya Goded, Lourdes Grobet, Eniac Martínez, Francisco Mata, Dulce Pinzón, Yvonne Venegas, Patricia Aridjis, Cannon Bernáldez, Marianna Dellekamp, Daniela Edburg, Graciela Iturbide, Edgar Rolando Martínez, Fernando Montiel Klint, Yolanda Andrade, Dante Busquets, Gabriel Figueroa Flores, Pedro Meyer, Gerardo Montiel Klint, Rubén Ortiz Torres, and Gerardo Suter.

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Talk by Sheena Malone on Photography

Talk by Sheena Malone on Photography

Sheena Malone will give a talk on recent exhibitions at the Douglas Hyde Gallery focussing on the photography of Miroslav Tichy, Eugene Von Bruenchenhein and S.I. Witkiewicz.

Info

Opening day: 6th July
Opening hours: 1:15pm
The Douglas Hyde Gallery,
Trinity College,
Dublin 2

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Photography in Contemporary Painting

Photography in Contemporary Painting

Michael Hill will present an introduction to how many contemporary painters use photographs – found or collected, personal snapshots, historical documentary pictures, record sleeves – as source material for their work.

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Opening day: 27th July
Opening hours: 1:15pm
The Douglas Hyde Gallery,
Trinity College,
Dublin 2

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Documentary: Heroes without Arms. Photographers of the Spanish Civil War

Documentary: Heroes without Arms. Photographers of the Spanish Civil War

The documentary depicts the early days of photojournalism in Spain through the lives of four friends – Alfonso, Luis Marín, Pepe Campúa and José María Díaz Casariego-, who worked together at the legendary magazine Mundo Gráfico and witnessed great changes that Spanish Civil War brought about in their lives and careers. An extraordinary and thorough exercise in research that unveils some brilliant war photographs for the first time ever. “Héroes sin Armas. Fotógrafos en la Guerra Civil” (Heroes without Arms. Photographers of the Spanish Civil War) is produced by Sociedad Estatal de Conmemoraciones Culturales (SECC) in association with La Fábrica andi s directed by Ana Pérez de la Fuente and Marta Arribas, authors of “El tren de la memoria” and “Cómicos”. Screening continues along with the exhibition.

With thanks to Acción Cultural Española.

Info

Dates: 6pm 14th, 21st & 28th July

Instituto Cervantes Dublin
Instituto Cervantes Dublin
Exhibition Room
Lincoln House, Lincoln Place
Dublin 2

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