Collaborative Change Symposium

Collaborative Change Symposium
This Symposium, co-organized by PhotoIreland and GradCAM and supported by the City Arts Office, Dublin City Council, investigates the implications of emergent models of collaborative production, consumption, and ownership for the future of cultural work, education and economic activity.

Where existing models of commons, collaboration, exchange and networks have a long history in the construction and maintenance of community e.g. meitheal, housing and agriculture cooperatives, credit unions, artists’ communities, etc., these are extended and made complex by new models of production emerging through a range of loosely and tightly woven collectives and communities of interest like crowdsourcing, user-generated content, grass roots media and their attendant practices.

The aim of the day is to frame these developments in the context of a new urgency in the wake of economic collapse and discuss what they mean for the future of cultural work, education, local and alternative economic initiatives. Featuring a number of local and international speakers made up of artists and theorists, activists and commentators from visual arts and media, education, political activism and alternative economics. These include: Michel Bauwens p2pfoundation.net; Branka Ćurčić, kuda.org; Renee Ridgway northeastwestsouth.net; Patrick Bresnihan provisionaluniversity.tumblr.com; Nicolas Malevé academycommons.net; Adrian Rodriguez universidadnomada.net; Aebhric Coleman, mondriansroom.com; Andrew Hetherington fundit.ie; Gergely Laszlo, and Michaële Cutaya.

Two things mark our moment, arguably. The crisis in public finances and the debts burdened on citizens of a Europe whose currency is under threat from predatory markets and whose banking systems are failing. And this arrives with the ascendancy of a network society and economy whose impacts are becoming more apparent as we enter the second decade of the twenty first century. Aside from the political upheavals and the justifiable anger manifest in street protests, there have been other responses to the catastrophe in the form of a renaissance in earlier practices to moments of crises; practices of sharing, collaborating, lending and bartering. Equally, there has been a resurgence in civil society activism, community organization and political grassroots movements seeking to renew and rethink the ties that bind us together and new forms of affiliation. And this is happening when peer-to-peer and social networks, creative commons, open source, ‘the crowd’ are all heralded as new paradigms of possibility.

The disputes around the public and private ownership and control of knowledge and culture that marked the last decade have thrown the commons to the forefront of public debate. Platforms based on participatory and commons-oriented paradigms appear to absorb the social, the economic and the cultural as the network becomes the new space of the polis or at least its organizational base to a point where social networks are now attributed to instigating revolutions (if that is what they are) in the Maghreb and Middle East.

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Symposium in the framework of PhotoIreland Festival 2011, organised in association with GradCAM and the Dublin City Council Arts Office
Collaborative Change Symposium schedule

Thursday 14th July, Wood Quay Venue
9.15am – 5.45pm
Bookings – email: martin.mccabe@gradcam.ie

Fee: €8
includes teas, coffees & lunch for the day

Guest Speakers

Michel Bauwens
p2pfoundation.net

Branka Ćurčić
kuda.org

Renee Ridgway
northeastwestsouth.net

Patrick Bresnihan
provisionaluniversity.tumblr.com

Nicolas Malevé
academycommons.net

Adrià Rodríguez
universidadnomada.net

Aebhric Coleman
mondriansroom.com

Andrew Hetherington
fundit.ie

Gergely Laszlo
photolumen.hu

Michaële Cutaya

 

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More broadly, it would seem that sharing is now a public virtue with movements within the academy towards open-access and open-source seek to develop new modes of scholarly dissemination and sharing of knowledge. In addition, the practice of sharing source code is increasingly applied to realms beyond its origins in computer science and software development. There are initiatives where cooperation and sharing are the basis for new economic models and alternatives to the market primarily in terms of resources and sustainability. Equally visible for decades now in the art-world, are collectives built on a sustainable principle of production, where process, experience, authorship, responsibility and success are shared.

However, what is the value and meaning of these ideas, values and principles at a moment where they both contain the possibility of change and transformation but at the same are becoming the very means and terms for the marketisation and colonization of the social. What is at stake here? How should we negotiate these contradictions ?

This one-day event engages these questions and debates them in the context of crises and responses to the crises from within and outside the cultural field. It brings together artists, activists, organizers and thinkers from different international contexts and experience to consider and think through these issues, to reflect on precedents and models in operation, to exchange, examine and discuss.

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History of Disappearance by The Franklin Furnace, New York

History of Disappearance by The Franklin Furnace, New York

Live Art from New York 1975-Present.
Work selected from the Archives of Franklin Furnace

History of Disappearance examines how institutions can play a role in relation to the practice of live or performance art, and the importance of recording and preserving this art form. The exhibition offers a rare opportunity to view documentation of a diverse collection of live art works from the fertile time in avant-garde art history during the 1970s, the politically volatile time of the 1980s, through to artists’ use of the Internet as a platform in the new millennium.

The exhibition draws on the wealth of experience of Franklin Furnace, a New York-based arts organisation established in 1976, devoted to temporary or ‘time-based’ art forms such as artists’ books, installation, live art and performance art. The organisation’s mission is ‘To make the world safe for avant-garde art’ and it deals solely with work that differs from traditional art forms in an original or experimental way. Franklin Furnace supports American artists’ fight for freedom of expression and was particularly active during the late 1980s and early 1990s. During this period US Government funding for the arts became subject to standards of ‘decency’ – sparking the ‘Culture Wars’ between the authorities and communities of artists who refused to censor their practice.

Info

Opening: 10am 15 July
Dates: 15-31 July
Opening hours:
Mon to Sat 10.30-5.30pm
Sun 11-5.30pm

Franklin Furnace
Book & Magazine Fair
FilmBase, Temple Bar,
Dublin 2

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In 1996 Franklin Furnace closed its physical exhibition space and transformed into a ‘virtual institution’ to bring Internet-based art to audiences across the world. Franklin Furnace today continues its mission to make the world a safer place for avant-garde art by funding innovative artists and archiving their work.

History of Disappearance includes works by major international artists including Eleanor Antin, the Blue Man Group, Patty Chang, Karen Finley, Coco Fusco, Jenny Holzer, Barbara Kruger, Ana Mendieta, Linda Montano, Matt Mullican, Claes Oldenburg, Reverend Billy and William Wegman.

The show comprises video footage, artists’ books, online works, and artefacts from the archive.

Highlights of the exhibition include video works such as Swimming the Mississippi (1987-1997), by Billy X. Curmano, which documents the artist’s ten year quest to swim from the source of the Mississippi River to the Gulf of Mexico, footage one of William Pope.L’s famous street crawls from The Crawl Project and Reverend Billy’s peaceful protests against Starbucks and The Disney Store. Andrea Fraser offers an incisive and humorous guided tour through the Philadelphia Museum of Art in Museum Highlights: A Gallery Talk (1989) and Tehching Hsieh’s One Year Performance (1980–1981) shows the artist punching in at a time clock, every hour on the hour, twenty-four hours a day, for an entire year.

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Home, group show

Home, group show
“Home” is a group exhibition showing work from national and international photographers Karen Miranda Rivadeneria and Dante Busquets. The theme is built around the domestic and the structure of life within a home. We are very interested in the idea of a place that we call home and what encompasses home; the physical nature of the interior and exterior, human interactions/relations, memories and possessions.

A home is many things, banal and everyday but always of the utmost importance. We all experience moments within our individual contexts of home or family but do not necessarily share them beyond the physical construct of our own setting.

There is an unspoken curiosity to see how others have these moments. We are all guilty of taking glimspes through windows to see how others live. What is this compulsion? Is this curiosity, just plain nosiness, or is it something more? Is it a desire to validate our own existence, to elicit self-reflection? What are we looking for when we glimpse through into another’s life?

Info

Opening: 6pm 1 July
Dates: 1-15 July
Opening hours:
Tue to Sat 12-4pm
Closed Sun & Mon

13 North Great George’s Street, Dublin 1

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About the Photographers

Karen Miranda Rivadeneira is a 2005 graduate of the School of Visual Arts in New York City. Since 2006, she been working on projects that deal with identity and intimacy, collaborating with native communities and relatives as subjects for various photo-based projects. Karen’s work, Other Stories, some of which is showing in Home, was granted the New Works Photography Award by Enfoco.

Dante Busquets
Dante Busquets attended the San Francisco Art Institute where he studied photography with artists Pirkle Jones, Jack Fulton and Reagan Louie. Dante recently received the grant Descubrimientos PHE México DF from the festival PhotoEspaña ’09, and the Leica Grant at FotoFest in Houston TX, USA, 2008.

About the curators

Stag & Deer is an exhibition-making project facilitating artists’ requirements by providing contemporary art space to exhibit work. We deal mainly with the medium of photography and our goal is in showcasing emerging contemporary art to the public. Our plan is to have exhibitions in temporary galleries and in site orientated locations.

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Images of Germany. 8 photographic positions. Agency Ostkreuz

Images of Germany. 8 photographic positions. Agency Ostkreuz

On the occasion of the agency’s fifteenth anniversairy the 17 OSTKREUZ photographers decided to examine the present condition in the country in which they live. Their images of Germany offer a multifaceted panorama of the supposedly familiar and the new. Much has changed in German society over the past twenty years, and very often it is the ‘small things in life’ that illuminate such changes. For their presentations the photographers accordingly chose themes that not only address political issues but, above all, touch on people’s individual circumstances and plans for the future, their desires and ambitions.

These pictures are snapshots of a society in a state of flux, in which many people are troubled by a certain degree of insecurity, be it in their private of professional lives, but who also see opportunities for a new beginning. In their survery the OSTKREUZ  memebers raise fundamental questions of life – such as what distinguishes a sense of home and belonging from what is alien, questions concerning identity and the future, people’s personal needs and their yearnings, everyday life and the unconventional. These images of Germany were first shown in a comprehensive group exibition of all seventeen OSTKREUZ photographers in autumn 2005 in Berlin.

Info

Opening: 6pm 8 July
Dates: 8-28 July – EXTENDED TO 29TH JULY
Opening hours: 12pm-6pm daily

Goethe Institut
The Complex, Smithfield, Dublin 7

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The photographers supplement the title of their exhibition with the term of Neueinstellung – reorientation – an allusion to the revised approach of these artists, not only to their country but also to themselves. Eight characteristic positions from the large Berlin exhibition were selected for the Goethe Institute’s traveling exhibition. One recurrent theme in all of the eight photographic sequences is the concept of native identity or homeland – formulated in the pervasive, yet elusive German term ‘hiemat’ – as a geographical, social and political determinant, but also as an expression of sentiments and yearnings.

About the Agency Ostkreuz

This agency is called OSTKREUZ. That is the name of an S-Bahn station in Berlin that resembles a wind rose, as it combines lines from all directions. When, in the fall of 1990, seven men and women got together to found the agency, they named it thus. With this they described their location, the East, which had been a country just a moment ago and to whose best photographers they had belonged. At the same time it meant to them a point from which they could start a journey anywhere.

Today OSTKREUZ is the most successful agency led by photographers in Germany. It has eighteen members. Almost each one of them has won prestigious national or international awards. They come from all German regions and also from other countries. The youngest of them is in his mid-twenties, the oldest in her mid-sixties. Each of them looks at the world through different eyes, is interested in different parts of it and travels in a different direction. But they all share their point of departure and return, where they frequently meet again. This is OSTKREUZ. It is an approach. It means approaching reality. There finding materials to work with. Finding the quintessence of things through one’s work, imaging it and staying honest while doing so. It means developing a bearing towards reality, measuring it against it without having to sacrifice one for the other. OSTKREUZ means no more or less than being genuine.

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Sommes-nous ? by Tendance Floue Collective

Sommes-nous ? by Tendance Floue Collective
‘Sommes-Nous ?’, a Collective Exhibition of Tendance Floue.
‘Sommes-Nous ?’ (‘Are We?’), Is an intimate chronicle World, the fruit of a common reflection, a look focussed on our time. From production of collective, and singular term of photographers around the world, Tendance Floue continues the questioning began in his previous works, with a new perspective and a new respect.

In Paris, Mumbai, Buenos Aires, Los Angeles, the North Pole and elsewhere, our different outlooks have been shaped by our personal and political concerns. We have questioned current events and our impressions have been partly influenced by History. Faces, odd encounters, urban landscapes and desolate wastelands have become the life and soul of our photography.

Man is faced with the disquieting environment he himself created and to which he endlessly tries to give meaning. He is pushed back by nature and overwhelmed by its almighty magnitude. As different worlds meet in serious or ironic circumstances, contrasts suddenly appear, and the question ‘Are We?’ remains unanswered.

While the book is revealed as a long sentence in which the photographs succeed as words, the exhibition allows new combinations of images, creating a substantially different chronology of the narrative but respectful of the book to fully adapt to space.

Info

Opening: 6.30pm 7th July
Dates: 1 July-17 September
Opening times:
Mon to Thu: 8.30am-6.30pm
Fri 8.30am-5pm

Alliance Française Dublin
Alliance Française Dublin
1 Kildare Street
Dublin 2

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Excerpt from a text by Jean Baudrillard written for the book ‘Sommes-nous ?’ (Naïve Edition and Jean Di Sciullo Edition, Paris, 2006):

“Ultimately there is a kind of philosophy behind this « tendency ». Behind the “blur” (“flou_”), lies the intuition that it is impossible for one to grasp reality in full focus but also that it is impossible to capture the world in its fluidity, transience, and inaccuracy – and thus be a true witness. This is about capturing movement, the mode of apparition, in a sort of anamorphose and improvisation.”

In 2007, the book ‘Sommes-Nous ?’ won the Infinity Award from the International Center of Photography – New-York (ICP).

About Tendance Floue

Tendance Floue is a collective of 14 photographers. It was created in 1991 and was founded upon the principle of independence, so as to guarantee the liberty of each member. Forever exploring the world against the grain of a westernized image, revealing the hidden side of exposed issues, and capturing unique moments, the collective’s force of attraction inspires the photographers to venture into unknown territories and to bring back the material which directly fuels shared photographic research projects.

Documentaries for the press, publications, exhibitions, projections, the selling of photographs, business and institutional communications: the collective opens every door and experiments with every medium of contemporary photography, without taboos. For 20 years, an indefinable alchemy of ideas and energies have made it possible, not only to create a new and original photographic language, but also to question the photojournalistic tendencies and attempt to renew the field of narration.

Beyond their individual approaches, the 14 photographers, in a collective spirit, have launched into a photographic adventure of a different order, all-encompassing and akin to performance. Comparing pictures, putting others together, forming combinations: work which is done together engenders new organic matter. Tendance Floue is a laboratory of a new kind, a collective built upon a generous and ecstatically wild friendship. Tendance Floue Photographers: Pascal Aimar, Thierry Ardouin, Denis Bourges, Bieke Depoorter, Gilles Coulon, Olivier Culmann, Mat Jacob, Caty Jan, Philippe Lopparelli, Bertrand Meunier, Meyer, Flore-Aël Surun, Patrick Tourneboeuf, Alain Willaume.

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The Sunday Society by Brown & Bri

The Sunday Society by Brown & Bri

The Sunday Society

An entirely inclusive dining club and funding body. We invite you to join The Sunday Society. All you have to do is eat lunch with us.
Five euro pays for your food and, should you feel inspired, a submission of a small scale proposal. All the submissions go into a kitty and are up for discussion over lunch, after which all members present will cast a vote for their preference. The proposal with the most votes receives all the money.
Members should estimate that we’ll collect between one and two hundred euro when submitting their idea. However the more money in the pot, the more ambitious proposals can become so if the group decides, another lunch can be arranged to boost the kitty further. The society has the potential to take on a life of its own with a Dublin base and continue meeting and generating pots of money for projects.

Submissions for this lunch can be for production costs of new work, travel costs to assist research, an idea to be realised within PhotoIreland festival or anything you deem appropriate.
Supported by The Galley Café.

Info

Date: 4pm Saturday 16 July
Price: eur5

Book & Magazine Fair
FilmBase, Temple Bar,
Dublin 2

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About Brown & Bri

BROWN&BRI is a creative project founded by Rachel Brown and Brighdin Farren, focused on collaborative, entrepreneurial, sustainable ideas: “We work with individuals, collectives, institutions and sometimes by ourselves to realise our projects, which vary in format but always seek to fill a gap or need in a particular place or time. At the moment we find ourselves operating within diverse spheres of interest. Adapting curatorial, artistic and business models to develop a hybrid practice with the language and functions to fit our needs and whims. We like photographic image, understanding and designing physical space, collections, other people’s agendas and common threads of experience. We are interested in the machinery of the art world and ways of operating, interpreting or reinventing it”.

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The convergence of ideas by Brown & Bri

The convergence of ideas by Brown & Bri

The convergence of ideas

The convergence of ideas: discussed by Brown & Bri and illustrated by a work in progress between them and Peter Richards.
Brown & Bri introduce their work. Adapting artistic, curatorial and business models to develop a hybrid practice, we have been working together for just over two years. Responding to cultural, economic and political shifts, we discuss, debate and share experience, process, authorship, responsibility, success, failure and fees. Since March 2009 we have made new work in various forms – as ex-directors of an arts organisation, taking or re-appropriating photographs, commissioning and publishing, opening a cafe and designing long-term events, project programmes and sometimes strategy for host galleries and institutes.

Info

Date: 5.30pm Sunday 17 July

Book & Magazine Fair
FilmBase, Temple Bar,
Dublin 2

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About Brown & Bri

BROWN&BRI is a creative project founded by Rachel Brown and Brighdin Farren, focused on collaborative, entrepreneurial, sustainable ideas: “We work with individuals, collectives, institutions and sometimes by ourselves to realise our projects, which vary in format but always seek to fill a gap or need in a particular place or time. At the moment we find ourselves operating within diverse spheres of interest. Adapting curatorial, artistic and business models to develop a hybrid practice with the language and functions to fit our needs and whims. We like photographic image, understanding and designing physical space, collections, other people’s agendas and common threads of experience. We are interested in the machinery of the art world and ways of operating, interpreting or reinventing it”.

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A Royal Wedding, by Five Eleven Ninety Nine

A Royal Wedding, by Five Eleven Ninety Nine
For PhotoIreland Festival 2011, the collective Five Eleven Ninety Nine have created a collection of individual projects exploring the human quest for happiness in contemporary Western society. Everywhere people are dreaming of something more and better than what they currently have: aspiring to be more successful, to earn more, achieve more, be loved more – and thereby attain the state of happiness. A Royal Wedding is a metaphor for this very human characteristic. Each photographer has explored this area from a different angle, and the resulting projects use still photography, screenshots, video and sound, all in the hope of encouraging reflection on how to live “happily ever after”.
fiveleveninetynine.com/aroyalwedding

About the Photographers

Jonny Cochrane was born in York in 1984. His work examines people, places and experiences with an often peculiar nature. He finds inspiration in photography’s ability to elevate the mundane to the beautiful and the everyday to the extraordinary. His photographs favour developing atmosphere and mood to create narratives that are suggestive rather than explicit. Jonny lives and works in London.
www.jonnycochrane.com

Info

Opening: 6pm 1 July
Dates: 1-30 July
Opening hours: 11-6pm daily

La Catedral Studios, 7/11 Saint Augustine Street, Dublin 8

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Simone Massera was born in 1983 in Rome, Italy. He’s interested in expressing through pictures the subjective perceptions of social issues and, basically, in exploring what it is to be a human being. These days he lives and works as a freelance photographer in London.
www.simonemassera.com

Maria de la Iglesia was born in Madrid in 1978 and currently lives in London. In her photography she makes use of the absurd as a way of exploring the human condition. It’s a visual and psychological observation that looks with irony and dark humour at the individuals themselves in a context of contrasts.
www.mariadelaiglesia.com

Hannah Lucy Jones was born in the English Midlands in 1980. She is often found photographing dreamily melancholic scenes of everyday life, reflecting her fascination with our subjective emotional experience and a terminal condition commonly known as existential angst. She lives and works in London.
www.hannahlucyjones.com

Samuel Bland was born in 1979 in the north of England. He is particularly interested in combining media – still and moving image, text and sound – to create unusual bodies of work that explore issues of identity, ecology and the relationship between man and his environment. His time is divided between freelance commercial work, pursuing his own personal projects, and teaching.
www.samueljlbland.com

Teresa Cos was born in 1982 in a small town near Venice, Italy. Her photographic research focuses on the transformations of contemporary western society and the anxiety in the struggle for success with which people tend to live. With her images she tries to involve the viewer in the palpable tensions of a society reaching breaking point.
www.teresacos.com

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The Hidden Garden, by Garvan Gallagher

The Hidden Garden, by Garvan Gallagher
“It’s like going to mass” is how one resident describes her time in ‘The Hidden Garden’. In 2008, the locals of a small residential street in Dublin’s north inner city decided to give purpose to an empty patch of land that was left overgrown, debris-filled and purposeless since the 1980’s. ‘The Hidden Garden’ documents the transformation of this dumping ground into a vibrant, energetic and award winning community garden.
Reclaiming a piece of land goes beyond just doing so for the purpose of growing fruit and vegetables, it also facilitates the growth of communities that include children and adults alike. This project and this film in particular is about the human story behind a simple idea, a story that documents the slow emergence of far more than vegetables, but a reawakening of a community.

Info

Shows:
3pm 10 July
1pm and 4pm 13 July
Running time 46mins.

City Arts
CityArts,
15 Bachelors Walk, Dublin 1.

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